The first photostroll downtown this year involved some new gear, an extremely sharp and astonishingly compact wide-angle zoom from Sigma. I’ve wanted something wider that the 35mm-equivalent that is my daily driver for a minute now, and this absolutely fits the bill.
It also gave me an excuse to see a couple of new and updated spots in Macon:
Rosa Parks Square (Memorials and Seating), Poplar and First Sts.
First up is the refreshed completely redone Rosa Parks Square, now with extensive hardscaping, seating and more — a much needed change to one of the most important areas in the city, right next to the City Auditorium and downtown’s Hotel 45:
Rosa Parks Square (Circle), Poplar and First Sts.
Also completely new is the Otis Redding Center for the Arts, a refreshingly contemporary building with its own new landscaping and gardens:
Zelma Redding Amphitheater (with Statue), Cherry St. and First St. Ln.
It’s a pleasure to be able to get a huge amount of detail, landscape, and space into a single photograph; the wide-angle itch is well and truly sated. Better still, when asked to focus on details, it shines very brightly indeed:
Cherry Blossom Festival Decor (#1), Parish Seafood, 580 Cherry St.
It does retro well, too:
St. Joseph’s Catholic Church (Spire), 830 Poplar St.
So, ask me how I feel about this upgrade. Well, how ’bout this:
I Heart Downtown (Sculpture), Second St.
Sigma got this lens just right. Including the seven posted here, a total of 30 new photographs have been added to the Downtown Macon (2022-2026) gallery.
Note: Once you’re in the photo gallery, the new items are near the middle of the stack — look for the retro photo from this post and it’s the photos that follow. Remember that you can click on any photo to enlarge to a single photo with locations/titles and next/back controls (or run a slideshow). If you’re in a downtown Macon mood, don’t forget the 2008–2018 and 2020–2021 galleries as well. Thank you!
According to Google, at the corner of Coleman Avenue and Adams Street, in Macon, is home to Newton Hall — and more specifically, Mercer University Press.1Google is wrong: Mercer University Press isn’t actually on campus — they’re in a separate building nearer downtown. See this University Press Week blog tour post for more.
Mercer University (Newton Entrance), 1400 Coleman Ave.
Mercer one of more than 160 members of the Association of University Presses. I mention this because, a while back, I said regarding taking some photographs around the campus of Mercer University, “stay tuned.” In honor of AUP’s University Press Week, November 10–14, I’ve done just that.
Taken during a number of visits over fifteen years, a total of 100 photographs now populate the Mercer University gallery. Enjoy.
1
Google is wrong: Mercer University Press isn’t actually on campus — they’re in a separate building nearer downtown. See this University Press Week blog tour post for more.
Most of the stuff I do daily is, frankly, mundane. That’s not a complaint: I have a roof over my head and food on the table. But exciting design isn’t a constant on my desktop.1It might be one of the reasons I love taking photographs so much — how creative those are is up to me. Now to find the time to take more….
I try to make up for it by looking for — and blogging about — others‘ great book design, graphic design, and photography. But it’s satisfying to get a great-looking result I can share publicly once in a while.
One such item:
Click for larger.
The poster for the Norman Mailer Society’s 2025 Conference. Good stuff. Thanks to them for the continued work together on interesting projects.
1
It might be one of the reasons I love taking photographs so much — how creative those are is up to me. Now to find the time to take more….
It’s been a while — too long, in fact — but with a completely new storage and editing system in place, it’s time to get back to taking, editing, and posting photographs from Middle Georgia and beyond.
This time, it’s the nearby city of Forsyth, specifically its historic train depot. Interestingly, Forsyth was the first city in Georgia to get passenger train service, in 1838, and the lovely station wears its years well.
Tracks and Train Depot, E. Johnston St. and Railroad Ave., Forsyth
Both the depot and its features are examined, in general and in detail:
Forsyth Train Depot (Roof and Chimneys), 104-114 E. Adams St., ForsythForsyth Train Depot (Train Car Detail #3), 104-114 E. Adams St., ForsythForsyth Train Depot (Train Car Detail #5), 104-114 E. Adams St., ForsythAntique Fire Truck (Detail #7), 104-114 E. Adams St., Forsyth
And, ever watchful:
Forsyth Train Depot (Bronze Dog Sculpture), 104-114 E. Adams St., Forsyth
That little town — more a hamlet, really — is called Deepstep, and I’ve marked it for a stop since. On the way home from Augusta (part 1, part 2), I finally had the opportunity.
Alonzo G. Veal & Son (What We Don’t Have, We Can Get), 9665 Deepstep Rd.Veal & Son Building Detail #1, 9665 Deepstep Rd.
What a great little spot.
Gate and Field, 9665 Deepstep Rd.Outbuilding and Pine, 9731 Deepstep Rd.
The gallery’s only eighteen photographs, but absolutely a worthy addition to the newly revised Middle Georgia group. Those galleries cover everything from Pine Mountain in the west to Sandersville in the east, Madison in the north to Dublin in the south.
Indeed, I’ve rearranged pretty much all of the Georgia galleries:
The new Georgia gallery group: five items instead of three, all featuring rearranged contents.
As mentioned yesterday, I’ve been meaning to get to downtown Augusta with a camera for years. Actually, that not correct: I’ve been meaning to get to downtown Augusta . . . period. I’d never been there, despite living 130 miles away for almost two decades, despite having been nearby, despite — well, you get the idea.
Statue at James Brown Plaza, Broad St. and Augusta Common
So it was a pleasure to get to the home of Woodrow Wilson, James Brown, Jessye Norman, and countless others — and see a city a lot like so many others in the American South, a city that’s struggling with identity, history, vacancy, gentrification, and so many other issues prevalent in the 2020s.
The Confederates and the Albion, Broad St.
One of them is the continued presence of a huge Confederate memorial, a shame in a majority-Black city — and just in front of the Lamar Building, soon to be luxury apartments. What message are Augusta, and its new luxury residents, sending?
Miller and Lamar, Broad St.
Nonetheless, the day’s efforts resulted in some satisfying images, from architecture to neat details:
Augusta Cotton Exchange Building #1, 32 8th St.Miller Theater (Entry Detail), 708 Broad St.Edgar’s Above Broad (Logo) Sign, 699 Broad St.
Augusta is a riverfront city I’m looking forward to returning to. In the meantime, please enjoy a total of 128 photographs in the newly-posted gallery.
Together with Columbus and Macon, Augusta is one of Georgia’s “Fall Line” cities, and is home to more than 200,000 people. Located on the eastern edge of the state on the Savannah River, it was founded by James Oglethorpe in 1736 on the site of a Native American river crossing.
Augusta has long been on the to-photograph list, but it’s just far enough away from Macon to make a quick, unplanned trip difficult — so this past weekend, when another trip was cancelled, I took advantage of the available time and made it happen.
Blue Against Blue Against Blue, 943 Ellis St.
Of course, rather than a quiet Sunday downtown, I ran headlong — no pun intended — into the Augusta Ironman marathon. There were crowded street corners, intersections closed aplenty, and a combination of competitors and supporters everywhere.
Boll Weevil Cafe and Sweetery, 10 James Brown Blvd.
Nonetheless, it was a beautiful early-fall day in Georgia, and over the course of several hours, I really enjoyed photography in downtown Augusta — as usual, without people in the shots.
Decorative Facade, 103 Macartan St.
Excepting, of course, The Godfather of Soul:
Spirit of Funk Mural, 190 James Brown Blvd.
The photostroll also included the Riverwalk, a stretch both at water level and atop the levee — doing my best to stay out of the runners’ way, moving around to the chants of “water!” and “ice!”
Fountain at Riverwalk Enterance (#1), James Brown Blvd.Savannah River at Augusta, Georgia
The first 64 photographs — part one of two — have been posted to the new Augusta gallery. Stay tuned for the second part, along with a bonus gallery and some housekeeping news, tomorrow.
The August heat is met with some refreshingly cool items for you this time: beloved movies reimagined as vintage paperbacks, graphic design on the Internet Archive, and winners of the 2023 iPhone photography awards. Plus, a bit on social media that hopefully won’t leave an aftertaste. Let’s dig in.
From the aged look, illustration choices, and director-as-author to the logo and occasional price, these are all … perfect.
Volume One is 100 titles, and while that book is sold out, prints are available at his website. The items in Volume Two, due this month, are guaranteed to be awesome.
Graphic Design on the Internet Archive
Emigre #20 – Expatriates. Courtesy of the Internet Archive via archive.digital.
I don’t always link to these contests — it often seems like the publicity (and rights!) are all about the folks holding the contest rather than the people entering them — but I often look, and am always impressed with the quality coming out of a “simple” iPhone.
Long Nguyen, France – 1st Place, Travel – “Last Night before Xmas”Scott Galloway, United States – 1st Place, Nature – “Wonder Wheel”
And while both of the above are (relatively) recent phones, in the latter case showing the macro capabilities of an iPhone 12 Pro Max, even older phones can highlight the talent of the person using it:
Derek Hager, United States – 3rd Place, Photographer of the Year – “Tucson Morning”
I’m not going to spend much time on this; I eschewed pretty much all forms of social media years ago now, and don’t regret it. That said, I do keep up with social media in the meta sense (a word that’s been stolen, as far as I’m concerned, by — wait for it — a social media company), and have noted the pain and concern associated with the implosion of Twitter.
While this conversation started with Nick Heer and the always-excellent Pixel Envy, it’s obviously evolved as the year has seen one extraordinary cage fight event after another.
Threads on Apple’s App Store, via the BBC.
For the past decade, It’s been all but required for serious brands to maintain a social media presence […] yet instead of scrambling to claim digital real estate across all these newly emerging platforms, some companies are choosing to be more judicious about which platforms they choose to join. In some cases, they’re learning from brands who jumped the social media ship years ago.
Chris Stokel-Walker, BBC
The quote above, from the BBC, attempts to answer the question, “Why your favourite brand may be taking a social media break.” Short answer: it’s complicated. I’d argue there’s an even shorter answer — it’s smart! — but for people and brands that aren’t yet established, social media is often key to discoverability.
This may be especially true for artists, designers, photographers, and others in the self- and small-business-employed creative field. Indeed, let’s go to a great source for those in the arena, Creative Boom, who recently spent a minute asking, “Creatives are saying social media is over… so what next?”
Like any new craze, it was fun for a while. But there’s certainly nothing new about it any more. Facebook’s now been around for almost two decades. Twitter’s 17 years old. Even Instagram has reached its teens. And while many of us joined these platforms during their fun, “anything goes” eras, when everything was about the users, now it’s all about the algorithms and their use to make venture capitalists vast amounts of money.
Tom May, Creative Boom
While I agree that social media is a mess and has been for a while, I’m absolutely not going to tell you to give it up — only to remind you that I have given it up and continue to be completely okay with the decision.
I do want to ask you, though, to choose wisely:
Facebook’s “Threads (an Instagram app),” their answer to the Twitter/X debacle, as shown via Apple’s iOS App Store privacy report.Tapbot’s “Ivory,” available in Apple’s iOS App Store and showing that app’s privacy report, for the Mastodon social platform.
Enough said. Turn off the computer, go forth, and enjoy a beautiful summer’s day.
Two different photographic opportunities have meant additions to the Automotive gallery recently: some motorcycles in Columbus, and some BMWs at an event in Hampton, a suburb of Atlanta and home to the Atlanta Motor Speedway.
All of these were taken with Leica’s superlative APO 90mm macro (yes, I know, I go on and on about this lens — it’s that good), and almost all are just details — a lens that long in a crowd means leaving the big picture aside in favor of the minutiae. Luckily, that’s a strength of the camera system, and one of my favorite ways to use it.
Retro BMW (Motorrad) RoundelHarley Davidson Star Logo (Detail)
The Harley logo wasn’t one I was familiar with — and it’s great — but the BMW is fantastic in its retro glory, complete with copper screws.
Meanwhile, speaking of BMWs, they hold their Ultimate Drive Experience yearly in the Atlanta area, and Gerald and I are in regular attendance. It was my first time seeing a number of new models, including the new M2:
M2 (Headlight Detail)
Didn’t like this until I saw it there; it’s a shortened M4 but wide and swollen in all the right ways. However, the undisputed star of the show was the new XM. Like many modern BMWs, it’s better in person — exuding presence:
XM (Charging)
I wish I’d somehow been able to better convey its stance, its proportions, and what I imagine it would look like coming up behind you. Then again, $160k and 664 horsepower will do that. Speaking of horsepower:
XM (M Power V8 Hybrid)
Nuthin’ like a carbon fiber engine cover in a three-ton machine. That said, for both Gerald and I the far-and-away favorite wasn’t the XM but rather the iX:
iX (Badge Detail)
The iX is a little ungainly from some angles, but its battery-powered, carbon fiber goodness is both fast and efficient. Plus, it sports one of the best BMW interiors going right now, and that’s saying something. (Ventilated wool seats for the win, folks.)
These events usually boast parking lots filled with classics, but either the late Sunday afternoon or thunderstorms kept the older items safely garaged. However, there was a sweet and very bright red i8 gracing the scene:
Gerald and I were in Georgia’s lower Chattahoochee River valley yesterday, visiting the city of Columbus — and ran across a couple of treasures. Naturally, there was a camera handy.
The first is the best restaurant I’ve enjoyed in a long while: The Animal Farm.
The Animal Farm, 105 W. 12th St.
If you’re in or going to be going to Columbus anytime soon, I cannot recommend it highly enough. The food was superlative, the service excellent, and the ambiance simultaneously upscale, casual, and fresh.
The second — and no less tasty — stop was the Ma Rainey Museum of the Blues. This period house downtown is small but demonstrates a remarkable comeback from the (literal) wreckage they started with in the ’90s. I’d originally wanted to return to the Columbus Museum, but it’s being renovated; Gerald’s suggestion here was pitch-perfect.
Ma Rainey House, 805 5th Ave.Ma Rainey House Marker, 805 5th Ave.Bust and Albums, Ma Rainey House, 805 5th Ave.Record Player Detail, Ma Rainey House, 805 5th Ave.
Inside, Gerald and I enjoyed a lengthy conversation with Xavier, a guide who was knowledgeable and enthusiastic; he absolutely made us want to explore more blues history. (I’m also going to be listening to some Ma Rainey on Tidal.)
Meanwhile, gallery of Columbus photographs is deep and varied, spanning almost fifteen years and 180 items — check it out.
